| BIBLIOGRAPHY | |
| 2019 | Paul Winstanley; Altered States, Jens Astoff, Kunstforum issue 265, December 2019. |
| Artists Writing: Paul Winstanley, Paul Carey-Kent, FAD Magazine, 11th September, 2019 | |
| 2018 | 59 Paintings; In which the artist considers the process of thinking about and making work. Ben Street, Times Literary Supplement, September 17th, 2018. |
| 2017 | Minimalism in the Dutch Golden Age at the Kerlin, Aidan Dunne, Irish Times, 23rd May, 2017 |
| 2016 | Art School 31, Nathan O'Donnell, published in Response to a Request, 16 October |
| Watch These Spaces, Anna Coatman, RA Magazine, no 130, Spring 2016 | |
| 2015 | The Califuk issue, Flaunt, no 143 |
| Whistler and the World, Edited by Justin Caan, 288pp, Book | |
| 2014 | Paul Winstanley; Selected Works. Thisispaper, January 2914 |
| PaulWinstanley Conjures a Reflective Expressiveness at 1301PE, Christopher Knight, Los Angeles Times, May 24, 2014 | |
| Paul Winstanley, KCRW, Art Talk, May 22, 2014 | |
| Paul Winstanley, Art School, Thisispaper, January 2014 | |
| 2013 | Paul Winstanley, Art School, Cristin Leach Hughes, The Sunday Times, 1st December, 2013 |
| Paul Winstanley, Art School, Published by Ridinghouse, Essay by Jon Thompson, Interview with Maria Fusco, 288pp, 240 Illustrations, Hardback Book | |
| Paul Winstanley, Galerie Vera Munro, Jens Astoff, Artforum, Artforum.com Critics Picks | |
| 2012 | Lifelike, Walker Art Center, 192 pp, Catalogue |
| Paul Winstanley, Kirsten Everberg, Frog, numero 10 | |
| 2011 | Rise; Paul Winstanley, Rebecca Fullylove, Dazed Digital, December 2011 |
| Paul Winstanley, Joseph R Wolin, Time Out New York, October 4,2011 | |
| Paul Winstanley, Mitchell-Innes & Nash, Barbara Pollack, ARTnews, October 2011 | |
| 2010 | Paul Winstanley, 1301PE, Jan Tumlir, Artforum, December 2010 |
| Paul Winstanley, A Beautifull Viel, L.A. Weekly, October 2010 | |
| Everybody Thinks This is Nowhere, Alan Cristea Gallery, Interview between Paul Winstanley and Helen Waters, 40pp Catalogue | |
| Without from Within, Djanogly Art Gallery, Essay by Anne Goodchild, 64pp, Catalogue | |
| Paul Winstanley, Lux, Jens Astoff, Kunstforum, Jan-Feb | |
| 2009 | Terror and the Sublime, Art In an age of Anxiety, Crawford Art Gallery, Cork, Essays by Peter Murray and William Laffan, 128pp, Catalgue |
| Conflicting Tales; Subjectivity, Burger Collection, Edited by Danial Kurjakovic, 228pp, Catalogue | |
| 2008 | Paul Winstanley: Threshold, Essays by Andrew Renton and Christel Fricke, Published by Clouds and Artspace, Auckland, 149pp, 100 Reproductions,Book |
| 2006 | Morandi's Legacy, Influences in British Art, Andrew Lambirth, The Spectator, 29 April |
| Leer big in den letzen winkel, Jan Wolf, Hamburger Adenblatt, 31 March | |
| Morandi's Legacy, Influences in British Art, Interview Between Paull Coldwell and Paul Winstanley, Estorick Collection, 78pp, Catalogue | |
| 2005 | Paul Winstanley, Homeland, Luke Clancy, Modern Painters, June 2005 |
| Paul Winstanley, Homeland, Aiden Dunce, Irish Times, 6 April | |
| 2004 | Space Inveilers, Sue Hubbard, The Independent, 29 October |
| Paul Winstanley, Jens Astoff, Artforum, Artforum.com, Critics Picks | |
| Blow Up, Flash Art, March 2004 | |
| 2003 | Paul Winstanley, William Feaver, Art News, December 2003 |
| Paul Winstanley, Anne Fielding, Time Out, no 1726, September 2003 | |
| Utopia Remembered, Anthony Downey, Contemporary, no51, 2003 | |
| 2002 | Paul Winstanley, Anthony Downey, Contemporary, November 2002 |
| 2001 | To Infinity and Beyond, Simon Morely, Art Review, February |
| 2000 | Paul Winstanley, Sally O Reilly, Time Out, no1587, January 2000 |
| Paul Winstanley, Duncan McLaren, Independent on Sunday, 10 December | |
| Paul Winstanley Archive; Complete Paintings 1989-2000, Maureen Paley Interim Art and 1301PE, 120pp, Book | |
| Landscape, The British Council, 80pp, Catalogue | |
| 1999 | Paysages d'artistes, Fondation d'art Contemporain, Daniel andFlorende Guerlain, 52pp, Catalogue |
| Atmosphere, Judicael Lavrador, Le Journal Des Exposition, no 223 | |
| Un si Beau Monde, Philippe Dagen, Le Monde, 9 December | |
| Postcards on Photography, Valerie Reardon, Art Monthly, February | |
| From A to B (And Back Again), Royal College of Art, 120pp, Catalogue | |
| 1998 | Postcards on Photography, Cambridge Darkroom Gallery, 144pp, Catalogue |
| Still, Martin Coomer, Time Out, no 1464 | |
| The Freidrich Factor, Simon Morely, Contemporary Visual Arts, Isue 19 | |
| Ways of Seeing and the Pleasures of the Visual, Nicholas de Ville, Contemporary Visual Arts, Issue 18 | |
| Paul Winstanley, Galerie Andreas Binder, Justin Hoffman, Artforum, February | |
| Paul Winstanley, Sach Craddock, The Times, 13 January | |
| Paul Winstanley, Tate Gallery, Martin Herbert, Time Out, no 1427 | |
| 1997 | The Lights are Out but There's No One at Home, Which is Just As Well, William Feaver, The Observer, 14 December |
| Interior, Sue Hubbard, Time Out, no 1421 | |
| Moores Scores, William Feaver, The Observer, 9 November | |
| John Moores Liverpool Exhibition 20, Walker Art Gallery, Catalogue | |
| Within These Walls, Sarah Greenberg, Blueprint, September | |
| Faszinierende Spiele miy Licht und Leise Tone, Hubert Filsner,Suddeutsche Zeitung, 12 September | |
| Die Macht der Tausend Augen, Brita Sachs, Frankfurter Allgemeine Zeitung, 20 September | |
| Making an Exhibition of Yourself, Richard Ingleby, Independent on Sunday, 10 August | |
| Diverse Perceptions of Interior Space, Jeremy Melvin, Architects Journal, August | |
| Within These Walls, Kettle's Yard, John Tozer, Art Monthly, September | |
| Condiments of the Season, Laura Cumming, The Observer, 10 August | |
| Within These Walls, Kettle's Yard, Cambridge, 24pp Catalogue | |
| 1996 | Made In London, Simmons and Simmons, 64pp Catalogue |
| Paul Winstanley, Martin Coomer, Time Out, no 1326 | |
| Corporate Art Goes Avant-Garde, Lynne McRichie, Financial Times, 22 June | |
| The Many Faces of London, Simon Morrisey, Building Design, 5 April | |
| 1995 | Art In Review, Cotter, New York Times, 5 May |
| Crossroads,, Herbert Read Gallery, Gallery, Canterbury, 24pp, Catalogue | |
| 1994 | On Painting, Part 2, Peter Kinley and Paul Winstanley, Mark Durden Frieze, October |
| Landescapes, Ex Lanificio Bona, 56pp, Catalgue | |
| Peter Kinley and Paul Winstanley, Simon Morley, Art Monthly, June | |
| The Contemporary Capital, Geraldine Norman, The Independent on Sunday, 6 March | |
| Waiting Tables, David Lillington, Time Out, March 2-9 | |
| On Painting, James Hockey Gallery, Essay by Andrew Wilson, 18pp, Catalogue | |
| 1993 | Plainly a New Fancy, William Feaver, The Observer, 18 April |
| John Moores Liverpool Exhibition 18, Walker Art Gallery, Catalogue | |
| Camden Arts Centre, Sarah Kent, Time Out, April 14-21 | |
| Strictly Painting, David Lillington, Time Out, Feb 10-17 | |
| What Goes Around Comes Around, Yet Again, William Feaver, The Observer, 18 April | |
| Paul Winstanley, Adrian Searl, Time Out, Feb 3-10 | |
| 1992 | Paul Winstanley, Paintings 1991-92, Kettle's Yard, Cambridge, Essay by Brandon Taylor, 48pp, Catalogue |
| John Moores Liverpool Exhibition 16, Walker Art gallery, Liverpool, Catalogue | |
| 1981 | Aspects of Drawing, Christopher Bucklow, Artscribe, no31 |